The Way of Kings (The Stormlight Archive #1) by Brandon Sanderson

This, ladies and gentlemen, is why I read.

I am going to do my best to explain why this one made it into my favorites list which is not easy to do given the total number of books I've read.  First, I will say that I am a relative newcomer to Sanderson's work.  I read the Mistborn Trilogy Boxed Set last year and Elantris earlier this year. I knew after just reading that first Mistborn book that Sanderson would be one of my must-read authors and by the end of that trilogy I had vowed to read everything he writes, even if it means traversing the entire Wheel of Time series by Robert Jordan just to get to those final volumes by Sanderson.

I had not actually intended on reading The Way of Kings next, mostly because of the sheer size of it. Size, in and of itself, doesn't bother me and I've read numerous "doorstoppers" before. But they can sometimes seem too drawn out and slow moving and I was simply worried that the same might happen to my beloved Sanderson.

But no, it was not to be. Sanderson has written the near perfect novel here. His world building, as incredible as always, is beyond my ability to describe adequately. While complicated, the cultural, religious, and political systems upon which the plot is developed makes sense and yet still does not divert the reader from where his/her attention should be focused: upon the plot and the characters. Same goes for the magic system that we get to explore with the characters, discovering its nuances at the same time as the characters.

And speaking of characters, many other lengthy books or series in the fantasy genre that I've read suffer from too many characters, too many points-of-view. And there are a lot of characters here as well, but Sanderson chooses to focus on a select few so that we readers don't get bogged down, flipping back pages to try and remember who so-and-so is. And each of his focus characters is intriguing in their own ways. They have complex backgrounds and motivations and none of them are all good or all bad. They are real. And each time a new chapter opened and returned me to that particular character, I would instantly sink into their part of the story.

And the plot. I won't rehash that here; I could never do it justice. Suffice it to say that all the elements of good story-telling are here: intrigue, peril, action, romance, noble honor, dastardly betrayal...I could go on and on. But to put it all together and make it soooo enjoyable requires the genius of Brandon Sanderson. Usually when I read a long work such as this, I churn through the final hundred pages or so to get that feeling of finally conquering that mountain of pages. But with this one I found myself stalling, not wanting it to end, despite its page length. As I write this I actually am feeling a little in withdrawal about the whole thing. And this is the beginning of what is reportedly a 10-book series? 

I know this sounds like total fanboy gushing but reading this novel really did effect me more than 99% of the novels I read. And I'm the type of reader who likes most of what he reads. So if you haven't discovered Sanderson yet, I suggest you still start out with the Mistborn series (at least the first trilogy)  and work your way through from there. 

Highest possible recommendation!

War in Sandoval County by Wayne D. Overholser

I’ve been wanting to read a Wayne D. Overholser western ever since I saw him referenced in Stephen King's novel Wolves of the Calla, part of King's "Dark Tower" saga.  Overholser was among the earlier group of American western writers and, in fact, won the very first Spur Award in 1953 for his novel, Law Man. Like many others of his time, Wayne cut his teeth in the pulps, his first story published in 1936.

In this book, Jeff Ardell is a man caught in the middle of a range war. He begins the book as part of the “Big 4” ranchers in the high prairie region near Starbuck, Colorado.  An ugly cattle-rustling problem causes the leader of the Big 4, Ben Shortt, to call in a “livestock detective” to find proof of the re-branding activity. However, the man he secretly calls in, Sam Marks, is a notorious killer, known for his cowardly way of shooting unsuspecting men in the back. Jeff sees Shortt’s power-grab for what it is and decides to pull out of the Big 4. But trying to determine who his friends are and who might be selling him out to the killer is only part of his problem now.

This book has plenty of gun-slinging action and back-stabbing twists as Jeff stubbornly takes on the existing power structure. It’s not just about how Jeff can outmaneuver his foes but how can he lead his side against so many people arrayed against him. Even the good guys tend toward the gray side of the scale, so Jeff has some moral dilemmas to wade through.

An enjoyable read with a satisfying ending that makes me want to hunt down some more of Overholser’s work.

Spillane: King of Pulp Fiction by Max Allan Collins & James L. Traylor

Mickey Spillane was a complicated man. Known by many as the creator of the iconic and influential character Mike Hammer, he is known by others primarily for a lengthy series of Miller Lite beer commercials. He earned a reputation as an edgy, hard-living, man’s man and yet was known to friends and family as kind, considerate, and willing to give a stranger the shirt off his back. His sense of humor was as evident as his legendary hard-punching, revenge-oriented, justice-delivering hero Mike Hammer.

I grew up after Spillane’s zenith and really only knew him via his reputation. In fact, I came to this biography not because of any great desire to learn about him and his work, (although I felt that would be interesting) but rather because I am a big fan of co-author Max Allan Collins (MAC) and his large body of work. I knew MAC had completed many of Spillane’s novels and stories after Spillane’s passing, a huge undertaking based on Spillane’s partially completed manuscripts, outlines, notes, interviews, and verbal knowledge passing.

Reading this biography was a real eye-opening experience. I confess to having only sampled the first three Hammer novels and one non-Hammer title so far but after completing this volume, I now have a desire to greatly expand my consumption of his writing. This biography is far more than a regurgitation of Spillane’s factual data, his writing, and the events of his life. MAC, along with co-author James L. Traylor have done a tremendous job of showing us the man himself. We come to understand how a fast-rising star of cutting edge, censor-baiting crime novels became an overnight pariah, despised by many of his peers. A ten-year absence from writing Mike Hammer novels, at the very pinnacle of their commercial success, may not have been due to his joining the Jehovah’s Witnesses as many people conclude. We get to ride along as Mickey combines an adrenaline-charged interest in adventurous hobbies like under water diving, racing cars, and collecting guns but the real joy here are the numerous insights into his writing processes, his complicated involvement in numerous movies and TV series, his self-parody, and his sheer joie de vivre.

Looking back on his incredibly popular fiction, Spillane referred to it as “the chewing gum of modern literature.” Maybe so, but along the way he was perfectly comfortable with and even seemed to relish in laughing all the way to the bank. And as the authors point out in this book, the evidence for him caring deeply about his writing, the “poetry” of his descriptive passages, and the masterful plotting is evident with each story he produced.

Included as appendices in this volume are a number of interesting additional items, not the least of which is a nice fragment of his own autobiography, a task that he had always planned to get to someday. It covers his childhood up until age 14 and provides some cool insights into his outlook on life. Also included is a timeline of key events in Spillane’s life which incorporates the dates of all his major publications and other media output. Several lists detail his novels, short stories, collections, etc. as well as a compilation of the Mike Danger comic book series titles. Pulp expert Will Murray provides input to an essay on whether or not pulp author Frank Morris was really Frank Morrison “Mickey” Spillane and I must say the evidence is compelling. Perhaps my favorite “extra” is MAC’s own resuscitation of his efforts to complete each of the Spillane unfinished manuscripts and how that process works.

Ultimately, the definition of a good biography of any author, is that it provides the reader with a full understanding of the subject while driving a burning need to read more of his work. By that standard, this is a great one. I must stop writing about this book now so that I can open up my copy of Kiss Me, Deadly and plunge once again into that rain-soaked New York world of Mike Hammer/Mickey Spillane.

The Seventh Scroll (Ancient Egypt #2) by Wilbur Smith

"The Seventh Scroll", by Wilbur Smith is the follow-up to "River God", one of the best historical novels I have read in a very long time. "The Seventh Scroll" was meant to be read after "River God" but it is not exactly a sequel. It actually takes place in the present day with a couple of archeologist types who are out to discover the hidden tombs that were depicted in the first book. What an intriguing concept! What we got to live through before is now seen through the eyes of history, including all the distortions of history that are bound to happen. After all, what we assume to be true through archeological research isn't necessarily the way it really happened. 

The author does another intriguing thing in this book. He inserts himself into his own fiction, having a main character refer to Wilbur Smith as having authored the fictional "River God" from information uncovered in the first 6 scrolls found in the tomb. Of course it is the 7th scroll that the characters are after in this second book. This leads to some funny moments as the two main protagonists argue about just how accurate Wilbur Smith was in the first book; one of them goes so far as to dismiss Mr Smith as a hack writer who changes the historical record in order to include more sex and violence. It's a twisted loop whereby an author actually negatively critiques his own work...I guess you have to be pretty secure in your own writing career to do that. Regardless, it works wonderfully here. 

The novel itself is just as good as the first book in the series. When you get right down to it, this is a pretty straightforward adventure/treasure hunting story along the likes of "Romancing the Stone". But Wilbur Smith is an outstanding writer who has a knack for making you read just a little more and then still more despite any deadlines you may have to deal with. You know the two main characters will hook up by the end but it's not predictable how that happens. The dangerous scenes in the book are really dangerous and the suspense is spot on. As for historical accuracy...everything sure seemed to be accurate based on my limited knowledge of ancient Egypt and my trip to that country a few years ago.

I've read all the "Ancient Egypt" series (at least those written by Wilbur Smith himself) and count this one among the best. I've tried a couple of others, reportedly written with co-authors but frankly I believe Smith's only contribution to those may have been outlines or notes due to his advanced age. They're still coming out now, after his passing. Unfortunately, while they're "not bad", they sure don't live up to Smith's abilities. From here, the series returns to the past and the further adventures of Taita. Good stuff!

The Humbug Murders by L.J. Oliver

Intriguing concept here: Taking place in 1833, Ebenezer Scrooge, at 30 years of age, acts as an amateur detective to solve the murder of his own boss, Mr. Fezziwig. I had high hopes for this novel, given the setup and they were mostly fulfilled. I especially enjoyed the character of Miss Adelaide Owen who comes to work as a clerk for Mr. Scrooge and demonstrates a keen mind along with a refusal to put up with the antics of men who feel themselves superior to women.

The authors work hard to insert Dickens references and characters throughout the story, not the least of which is Dickens himself in his role as a reporter. Also included are cameos by Mr. Pickwick, Miss Havisham, and the Artful Dodger among several others. In addition, there are plenty of new characters thrown in which have a major impact on the plot and who also seem like genuine (i.e. odd) Dickens characters. In the end the novel works well. I did not quite solve the case on my own but when the big reveal occurred, I felt I should have seen it coming. That's pretty much an ideal result for a mystery novel as far as I'm concerned.

Reportedly, this was to have been the first in a series. That seems unlikely now since one of the two authors behind the "L.J. Oliver" pseudonym, Scott Ciencin, passed away around the time of publication. (The other is E.A.A. (Elizabeth) Wilson). There do not seem to have been any more published since this one in 2015 either. That's too bad. I would have happily read the next and the next...