Poirot and Me by David Suchet

Over the past couple of years, I’ve been enjoying all of the excellent “Agatha Christie’s Poirot” television series starring David Suchet in the title role. I’ve been impressed with the overall quality of the show, most especially with the way in which he so accurately captured the ‘real” Inspector Hercule Poirot, just as Christie wrote him (as opposed to the way he is usually portrayed in a somewhat cartoonish way). I’ve also been impressed that a single actor would continue to portray the same character time after time for 25 years and 70 films, most of them two-hour feature-film quality events, covering every Poirot story (novel and short story) ever penned by Dame Agatha. So when I saw this book on the store shelves I made the very unusual decision, for me, to engage in an impulse buy.

So glad I did! I rarely read autobiographies of actors but for me, just as with so many millions of people around the world, David Suchet is Poirot. He covers a lot of ground that you might expect in this book, including the very interesting manner in which he created his version of Poirot, how he captured his look, his walk, his voice, his mustache, etc. He takes us through the seasons and the angst which he and his wife experienced through 25 years of filming the shows, never knowing at the end of each series whether or not the next would happen. Because of these gaps in filming, we get to see what projects he worked on, mostly in the theater in London, while he waited for news. One theme which I did not expect to encounter runs throughout the book: what it means to be a character actor versus a “star”. I now have a much greater appreciation for that aspect of an actor’s craft.

But the major theme of the book is the unreserved and deeply held love that David Suchet feels for the character. Just where the character stops and the actor begins is something he jokes about but his need to preserve the character and make Dame Agatha proud is the mark of true professional. For me, as a voracious reader of fiction, I doubly appreciate how he tries to stay true to the character and fight against tendencies to “update him for today’s audiences”.

This is a pleasant read, eye-opening in some respects, but fundamentally rewarding. Recommended for all fans of the television series or for those interested in the profession of acting.

Spillane: King of Pulp Fiction by Max Allan Collins & James L. Traylor

Mickey Spillane was a complicated man. Known by many as the creator of the iconic and influential character Mike Hammer, he is known by others primarily for a lengthy series of Miller Lite beer commercials. He earned a reputation as an edgy, hard-living, man’s man and yet was known to friends and family as kind, considerate, and willing to give a stranger the shirt off his back. His sense of humor was as evident as his legendary hard-punching, revenge-oriented, justice-delivering hero Mike Hammer.

I grew up after Spillane’s zenith and really only knew him via his reputation. In fact, I came to this biography not because of any great desire to learn about him and his work, (although I felt that would be interesting) but rather because I am a big fan of co-author Max Allan Collins (MAC) and his large body of work. I knew MAC had completed many of Spillane’s novels and stories after Spillane’s passing, a huge undertaking based on Spillane’s partially completed manuscripts, outlines, notes, interviews, and verbal knowledge passing.

Reading this biography was a real eye-opening experience. I confess to having only sampled the first three Hammer novels and one non-Hammer title so far but after completing this volume, I now have a desire to greatly expand my consumption of his writing. This biography is far more than a regurgitation of Spillane’s factual data, his writing, and the events of his life. MAC, along with co-author James L. Traylor have done a tremendous job of showing us the man himself. We come to understand how a fast-rising star of cutting edge, censor-baiting crime novels became an overnight pariah, despised by many of his peers. A ten-year absence from writing Mike Hammer novels, at the very pinnacle of their commercial success, may not have been due to his joining the Jehovah’s Witnesses as many people conclude. We get to ride along as Mickey combines an adrenaline-charged interest in adventurous hobbies like under water diving, racing cars, and collecting guns but the real joy here are the numerous insights into his writing processes, his complicated involvement in numerous movies and TV series, his self-parody, and his sheer joie de vivre.

Looking back on his incredibly popular fiction, Spillane referred to it as “the chewing gum of modern literature.” Maybe so, but along the way he was perfectly comfortable with and even seemed to relish in laughing all the way to the bank. And as the authors point out in this book, the evidence for him caring deeply about his writing, the “poetry” of his descriptive passages, and the masterful plotting is evident with each story he produced.

Included as appendices in this volume are a number of interesting additional items, not the least of which is a nice fragment of his own autobiography, a task that he had always planned to get to someday. It covers his childhood up until age 14 and provides some cool insights into his outlook on life. Also included is a timeline of key events in Spillane’s life which incorporates the dates of all his major publications and other media output. Several lists detail his novels, short stories, collections, etc. as well as a compilation of the Mike Danger comic book series titles. Pulp expert Will Murray provides input to an essay on whether or not pulp author Frank Morris was really Frank Morrison “Mickey” Spillane and I must say the evidence is compelling. Perhaps my favorite “extra” is MAC’s own resuscitation of his efforts to complete each of the Spillane unfinished manuscripts and how that process works.

Ultimately, the definition of a good biography of any author, is that it provides the reader with a full understanding of the subject while driving a burning need to read more of his work. By that standard, this is a great one. I must stop writing about this book now so that I can open up my copy of Kiss Me, Deadly and plunge once again into that rain-soaked New York world of Mike Hammer/Mickey Spillane.

Seldom Disappointed by Tony Hillerman

I enjoyed reading this memoir although I confess to not having read very many Tony Hillerman books. (A quick database check reveals I've read three Leaphorn & Chee novels, one nonfiction anthology, and one fiction anthology that he edited). It's a true memoir, meaning it's based on his complete life, up until the age of 75 when he wrote it. That means there is a lot of material that does not directly relate to his books or writing process. Lots on his WW2 experiences where he earned recognition as well as some nasty wounds in battle. There is also quite a bit from his post-war journalism career followed by his his time in academia. 

I was born and raised in Albuquerque, NM and so I have many memories of Tony Hillerman's celebrity status for New Mexicans. While it's interesting to read of his life, I wish more of this memoir was devoted to his writing. He does make the point quite well, that all of his lifetime experiences did, in fact, feed his writing. Characters, even Joe Leaphorn, were based on people he'd encountered along the way. Probably more importantly were the plots and situations that his characters encounter which almost always grew from experiences in his own life. His insights on modern-day Indians (and yes, I deliberately use that term -- not "Native Americans" or "Indigenous Peoples" which many Indians consider derogatory) are especially interesting. Throughout the book, he is humble and isn't afraid to be self-deprecating. The book comes across as honest, even when he looks bad in hindsight from time to time. 

It's always fun for me to read autobiographies by authors and this one is a good one. And of course it served its purpose in that I now really feel the need to read more of his fiction.