Mad Money (Two books in the Nolan series) by Max Allan Collins

Hard Case Crime completes their re-publishing of all of Max Allan Collins’ “Nolan” books with this Mad Money two-fer. I’ve enjoyed every one of the Nolan yarns, but this dual entry may, in fact, top the list.

The first book in this volume is Spree which comes in as the longest of the Nolan stories. Many readers consider this one the best and I probably find myself among them, although I hesitate to take anything away from the others as all of them are just absolutely top-notch.

Spree is the penultimate Nolan novel, at least as far as chronology is concerned. Nolan finds himself in a comfortable place, having gone straight as owner/manager of his own restaurant/club, located in the Brady Eighty shopping mall during the 1980s. His relationship with Sherry is solid and appears to be headed to a more long-term commitment. Meanwhile, his sidekick, Jon, is finally tasting some minor success with his lifelong dream of writing and drawing his very own comic book series. Unfortunately, that notorious family from the past, the Comforts, have reared their head again, this time led by Coleman Comfort and his son Lyle. Coleman, seeking revenge for several deaths of his family members at Nolan’s hands, makes his play, forcing Nolan to mastermind a truly ambitious heist of the entire 50-store Brady Eighty mall. A wonderful heist story, this one also reaches deep on an emotional level, with some wonderful new characters as well as several intensely dangerous scenes.

The second book in this volume, Mourn the Living is, reportedly, Max Allan Collins’ very first novel, written when he was an undergrad in 1967 or ’68, although it wasn’t published until 2001. I had always heard that the entire Nolan series was MAC’s tribute to the “Parker” series by Richard Stark (Donald E. Westlake), and I could really see the style similarities here. This one is pure Nolan with no Jon, no Sherry, and, in fact, acts as Nolan’s origin story. Previous novels have made reference to the events depicted here, especially how Nolan finds himself refusing to carry out an order from “The Family” and has to go on the run. The plot stems from an old friend from the Family named Sid Tisor. Sid’s daughter is dead, the victim of a long fall from a rooftop. Sid wants Nolan to investigate to see if she actually fell…or was pushed. It’s likely LSD and/or heroin was involved. This story is largely one of Nolan acting as PI, investigating and solving the mystery. A nice twist at the end that I should have seen coming, but didn’t, makes this one another fine read.

Together, these two books make a fine pair of bookends for the series, although MAC did provide a follow-up in 2020 with Skim Deep. I still have that one to read but I will add that these books, for the most part, read very well in this Hard Case Crime publication order. I am glad, however, that I saved Skim Deep until the final one, since it was written last and takes place after Spree. I don’t know if there will ever be any more Nolan stories written but if so, I plan to be first in line for my copy, regardless of when it takes place in the timeline.

Spillane: King of Pulp Fiction by Max Allan Collins & James L. Traylor

Mickey Spillane was a complicated man. Known by many as the creator of the iconic and influential character Mike Hammer, he is known by others primarily for a lengthy series of Miller Lite beer commercials. He earned a reputation as an edgy, hard-living, man’s man and yet was known to friends and family as kind, considerate, and willing to give a stranger the shirt off his back. His sense of humor was as evident as his legendary hard-punching, revenge-oriented, justice-delivering hero Mike Hammer.

I grew up after Spillane’s zenith and really only knew him via his reputation. In fact, I came to this biography not because of any great desire to learn about him and his work, (although I felt that would be interesting) but rather because I am a big fan of co-author Max Allan Collins (MAC) and his large body of work. I knew MAC had completed many of Spillane’s novels and stories after Spillane’s passing, a huge undertaking based on Spillane’s partially completed manuscripts, outlines, notes, interviews, and verbal knowledge passing.

Reading this biography was a real eye-opening experience. I confess to having only sampled the first three Hammer novels and one non-Hammer title so far but after completing this volume, I now have a desire to greatly expand my consumption of his writing. This biography is far more than a regurgitation of Spillane’s factual data, his writing, and the events of his life. MAC, along with co-author James L. Traylor have done a tremendous job of showing us the man himself. We come to understand how a fast-rising star of cutting edge, censor-baiting crime novels became an overnight pariah, despised by many of his peers. A ten-year absence from writing Mike Hammer novels, at the very pinnacle of their commercial success, may not have been due to his joining the Jehovah’s Witnesses as many people conclude. We get to ride along as Mickey combines an adrenaline-charged interest in adventurous hobbies like under water diving, racing cars, and collecting guns but the real joy here are the numerous insights into his writing processes, his complicated involvement in numerous movies and TV series, his self-parody, and his sheer joie de vivre.

Looking back on his incredibly popular fiction, Spillane referred to it as “the chewing gum of modern literature.” Maybe so, but along the way he was perfectly comfortable with and even seemed to relish in laughing all the way to the bank. And as the authors point out in this book, the evidence for him caring deeply about his writing, the “poetry” of his descriptive passages, and the masterful plotting is evident with each story he produced.

Included as appendices in this volume are a number of interesting additional items, not the least of which is a nice fragment of his own autobiography, a task that he had always planned to get to someday. It covers his childhood up until age 14 and provides some cool insights into his outlook on life. Also included is a timeline of key events in Spillane’s life which incorporates the dates of all his major publications and other media output. Several lists detail his novels, short stories, collections, etc. as well as a compilation of the Mike Danger comic book series titles. Pulp expert Will Murray provides input to an essay on whether or not pulp author Frank Morris was really Frank Morrison “Mickey” Spillane and I must say the evidence is compelling. Perhaps my favorite “extra” is MAC’s own resuscitation of his efforts to complete each of the Spillane unfinished manuscripts and how that process works.

Ultimately, the definition of a good biography of any author, is that it provides the reader with a full understanding of the subject while driving a burning need to read more of his work. By that standard, this is a great one. I must stop writing about this book now so that I can open up my copy of Kiss Me, Deadly and plunge once again into that rain-soaked New York world of Mike Hammer/Mickey Spillane.

The Big Bundle (Nate Heller #18) by Max Allan Collins

In 1953, six-year-old Bobby Greenlease, the son of a multi-millionaire auto dealer was kidnapped from a Catholic pre-school located in Kansas City, Missouri. The ransom demand was the largest in American history at the time, $600,000 (the titular “big bundle”). Enter private investigator Nathan Heller, who’s worked with movie stars, mob bosses, and presidents and been on the periphery of some of the biggest national secrets and scandals of U.S. history. Heller quickly works the case on behalf of young Billy’s parents, following the money to solve it and find some sort of justice for Billy’s family.

But not complete justice as it turns out. Five years have passed and less than half of the ransom money has been recovered. It’s now 1958 and Nathan Heller once again finds himself working the case, this time to try and discover what happened to the missing dough. Can it be tied up in Jimmy Hoffa’s exploits even as Robert Kennedy seeks to find some way to charge Hoffa with a crime? Or perhaps a cab driver who took one of the original kidnappers to the Coral Court Motel had tipped off local mobster Joseph G. Costello. Or maybe a couple of dirty cops are behind it all.

This is the eighteenth book in Max Allan Collins’ Nate Heller series. The very first novel, True Detective, was written back in 1983 and won the Shamus award for best PI novel that year. While there might be some benefit in reading them in order, they were not written/published in chronological order so each novel can easily stand alone. These books are hard-boiled, true-crime detective novels with a fascinating protagonist. Indeed, Heller himself, doesn’t always take the high road but tends towards shades of gray. Regardless, he’s a man seeking justice, even though, just like in history, he doesn’t always find it. These novels are extremely well-researched and to read one is to absorb real history of the middle of the American 20th century in a very readable and enjoyable way.

Despite this being the eighteenth novel in the series it is the first to be published by Hard Case Crime which seems like the perfect match. I had a wonderful time reading it and am now kicking myself for not having read each and every one of the others in the series. But, I will be sure to remedy that.

Shoot-Out at Sugar Creek (Caleb York #6) by Mickey Spillane and Max Allan Collins

This sixth book in the Caleb York series directly follows the events of book #5, Hot Lead, Cold Justice, in which a killer blizzard swept across the Southwest putting lives and whole ranches in peril. Trying to recover from that experience has proven no easy task. Wealthy widow and cattle baroness, Victoria Drummond, has seized the opportunity to snatch up most of the smaller ranches in the area of Trinidad, New Mexico, and now has her sites set on the vast Bar-O spread, owned and managed by Willa Cullen, the getting-close-to-fiancé-status girlfriend of one Sheriff Caleb York.

There is no level to which Victoria will not stoop to get what she wants, to include hiring an army of hard case gunfighters from nearby Las Vegas, setting up ambushes, and even sacrificing her own sons to the effort. She has the upper hand against the Bar-O due to controlling Sugar Creek, the only water supply that’s not fouled by dead cattle from the massive blizzard. So, when Sheriff York is forced to shoot and kill Victoria’s son for raping and beating a saloon trollop, a full-on range war is ignited.

Some readers expect the character of Caleb York to be simply a western version of Mike Hammer but I find Caleb to be a much more sympathetic character. He is loyal to the law and to maintaining the peace, but he is a firm stand-your-ground kind of man and never backs down from a fight. He’s an excellent shot, of course, and always manages to find plenty of action to test his skills, but he would prefer that was not the case.

The plot of this novel tests not only Caleb York’s skills with a gun but also his hot-cold-warm-hot relationship with Willa Cullen, once again. The stakes have never been higher, and the body-count is stratospheric. With the title of this novel being what it is, a lot of gunplay is expected but man-o-man was that spectacular! I was fully invested in these characters after the very first book in the series, The Legend of Caleb York, and the rest of the series has only increased that for me. So, when one of them gets such a raw deal as we see here, I’m all in for revenge in the purest sense of the word.

I really hope there are more Caleb York novels still to come. Please let it be so.

Kill Me If You Can by Mickey Spillane and Max Allan Collins

The year 2022 marks the 75th anniversary of the original publication of the very first Mike Hammer novel, I, the Jury, by Mickey Spillane way back in 1947. While a dozen more would follow, all penned by Spillane himself, he also left behind numerous unfinished manuscripts, summaries, radio scripts, ideas, etc. During his final week of life in 2006, Spillane asked his friend Max Allan Collins to continue the series and make good use of that material. MAC has been doing just that ever since and succeeding in fine style. This book is the thirteenth with both Spillane and Collins listed as authors, effectively doubling the original Spillane-only output and bringing the total to 26 Mike Hammer novels. Also of note, is the infamous 10-year gap in Spillane’s output, from 1952 to 1962. This novel, Kill Me If You Can falls chronologically between Kiss Me, Deadly and The Girl Hunters which bookend that decade-long gap.

The novel opens with Mike Hammer having been working a case for several weeks involving a high-end robbery crew. A month ago, they’d hit the “Civac reception” and gotten away with a lot of jewelry and other valuables. But we soon find out they had taken something much more valuable than jewels, something that boils Hammer’s blood and leads him on a desperate whirlwind of a chase.

Velda is missing.

Velda, Hammer’s secretary and PI partner, and much more than that if the ring he recently gave her is any indication. Has she been kidnapped? Murdered? To gain some more intel, Hammer turns to his old friend and mobster, Packy Paragon who is trying hard to go legit. The man has opened a nightclub which features his famous and beautiful wife Victoria as the star singing attraction. Hammer is not in a good place when this novel begins, his days filled with drinking and his nights failing to sleep. His cop buddy Pat Chambers, the chief of homicide has about had enough of him.

Max Allan Collins, once again does an excellent job of channeling Mickey Spillane and producing an excellent Mike Hammer novel. All the elements that you hope for are here including familiar and new characters, the hard-boiled driving plot, and the richly described atmosphere of the City. Always willing to use his gun to kill killers, Hammer never hesitates to hand out justice, even when temporarily without a permit or even a PI license. Not all plot points are resolved but many readers will already be familiar with what will happen because they are detailed in the follow-on novel, The Girl Hunters, published in 1962.

This is not a tremendously long novel but rather one that is tightly plotted and one that moves along at a nice clip. Happily, five additional short stories are also included in this volume including two Hammer tales. These are all good too and written in a style much like you might find in editions of Manhunt magazine or the like.

I’m not sure how much is left in the Spillane un-published material vault but I’m sure looking forward to anything MAC can coax out, collaborate on, write, polish and let loose on the world.

Dick Tracy - The Secret Files by Max Allan Collins & Martin H. Greenberg (ed)

In 1990, the film “Dick Tracy” was released. It starred Warren Beatty, Al Pacino, Dustin Hoffman, Madonna, and a bunch of other big-name stars. I have no evidence to support this, but it seems likely that this anthology, also published in 1990, was commissioned as a way to help market the film. Regardless, the choice of Max Allan Collins to edit the collection, along with prolific anthologist Martin H. Greenberg, could not have been a better one. Collins had taken over the writing of the Dick Tracy comic strip in 1977 when Chester Gould retired and had been at it for the 13 years prior to this book’s appearance. As a life-long fan of Dick Tracy, there can’t be many humans out there with a better understanding of what makes the world of Dick Tracy what it is.

Rarely have I read an anthology that I have enjoyed more than this one. Usually, they include some fine stories, some mediocre, and some best left on the cutting room floor. Not so with this one. I can honestly say I thoroughly enjoyed all but one of the stories included here and that one is by an author that is often troublesome for me anyway. But even then, it wasn’t “bad”. Hats off to Max Allan Collins and Martin Greenberg for their selections. The order in which the stories are presented is also well thought out. The very first story is entitled, “Origins” and written by Mike Resnick. It’s actually told from the point of view of a young, struggling writer named Chester Gould who meets a real-life detective who ultimately becomes a model for his new idea for a comic strip.

From there we have stories from the early Dick Tracy years in the 30s and 40s but also including more contemporary versions in a more modern age. We get to revisit villains from the strips such as Mumbles, Blowtop, B.O. Plenty, Gravel Gerty, Vitamin Flintheart, and Putty Puss but also read about brand new villains created just for this anthology. Some are written from some POV character other than Tracy himself. In addition to the aforementioned opening story featuring Chester Gould there is also one from the viewpoint of his wife, Tess Trueheart Tracy, and one from son "Junior".

The authors here are a real who’s who of speculative fiction and include Ed Gorman, F. Paul Wilson, Wayne D. Dundee, Barry N. Malzberg, Ric Myers, Stephen Mertz, Edward D. Hoch, Rex Miller, Mike Resnick, Ron Goulart, Barbara Collins, Henry Slesar, John Lutz, Terry Beatty, Wendi Lee, Francis M. Nevins Jr., Josh Pachter, and Max Allan Collins himself.

For fans of the original Dick Tracy comic strips or for those new to the character and just want a flavor for what it was all about, this collection is an ideal read. Highly recommended.

Tough Tender by Max Allan Collins

“Tough Tender” collects the 5th and 6th novels in Max Allan Collins’ Nolan series, originally written in the mid 1970's - 80's but with a complicated publishing history. Nolan, former member of the Chicago branch of “The Family” and an accomplished master of the heist, is trying to retire. But as another iconic character once said, “Just when I thought I was out, they pulled me back in.” But this time, it’s not The Family that’s pulling Nolan back in again; it’s a former mark.

The first book in this double edition, “Hard Cash” acts as a sequel to the very first book in the series, “Bait Money” in which Nolan works with a group of young would-be thieves to knock over the First National Bank of Port City, Iowa. Now, the very same bank president, prodded by the lovely Julie, hires Nolan to rob it again. Nolan is assisted by his young protégé, Jon and together they must navigate the pitfalls of the operation. Nolan and Jon are plunged into one unexpected twist after another, but a heist is a heist and they never let go of their goal of securing the prize.

The second novel in this double collection, “Scratch Fever” is a direct sequel to “Hard Cash”. It takes place roughly one year later and opens with Jon now the lead in a local club-scene rock & roll band. In the audience, he spies somebody he thought dead, a character from the previous book and somebody who is destined to cause havoc and mayhem in his life. The stakes are high and Jon is soon fighting for his life. Other dangerous characters from previous books show up – hitmen out for revenge. This time it’s Nolan to the rescue in a nail-biting cat & mouse yarn that really keeps the pages turning. 

Nolan is a great character and as MAC writes in the introduction, these stories provide “low-life villains who retain a recognizable humanity.” Hard Cash is meant to combine “the caper novel with the James M. Cain sex melodrama”. Nolan is a tough guy, supremely competent, and willing to take whatever steps are necessary. But throughout, he does, indeed, have that inner core of honor that keeps him sympathetic to the reader. Jon, is also a wonderful sidekick character who tends to take on prominent roles in their various schemes all while dreaming of one day being a successful writer and artist in the world of comics. Gotta love it.

All the Nolan novels can technically be read as stand-alones, but I would recommend they be read in order of publication due to some recurring characters and situations, as evidenced by the two novels presented here. Thankfully, Hard Case Crime has committed to producing all the Nolan books in new, beautifully rendered double editions. Can’t wait for the final pairing still to come.

Bombshell by Max Allan Collins and Barbara Collins

In September of 1959, Soviet leader Nikita Khrushchev arrived in the United States for an extended visit and a summit meeting with President Eisenhower. As part of his trip, he visited Hollywood in Los Angeles on the 19th. Among the day’s activities, he was given a tour of the Twentieth Century Fox Studios and was taken on to the sound stage for the movie “Can-Can”. He met a slew of celebrities including Frank Sinatra, Shirley MacLaine and Juliet Prowse. However, when he was told he could not visit Disneyland due to concerns over his own safety and security, he exploded in anger.

This is all documented history. But what the public doesn’t know is that Khrushchev also met Marilyn Monroe, and together they uncovered a complex assassination attempt on his life. This novel covers that hitherto unknown thrilling aspect of his visit to the US, including a detour to Disneyland after all.

This novel grew out of a short story by Barbara Collins entitled, “Da Svidaniya, Khrushchev” which was published in 1997’s anthology, “Marilyn: Shades of Blonde”. The expanded version was written by Barbara and her husband, Max Allan Collins and originally published under their combined pseudonym, “Barbara Allan”. Now, it has been reprinted thanks to the good folks at Wolfpack Publishing.

This novel really took me by surprise. I confess my knowledge of both Khrushchev and Marilyn Monroe is minimal, mostly limited to the major headlines and public personas. I was also a little nervous about the seemingly absurd premise of the book. After all, how plausible is the idea of Marilyn Monroe overhearing an assassination plot and risking everything to lead Khrushchev to safety? At Disneyland of all places. But I must say, this story really gripped me. Absolutely delightful all the way through.

The story is told from the point of view of both of these icons as well as that of secret service agent, Jack Harrigan.  I found all of them to be fully engaging and realistic, especially the characterization of Marilyn Monroe. It really captures her accidental zany antics combined with a laser-focused purpose.  It’s hard to pull off a light-hearted but danger-filled pulpy thriller but these authors have done it superbly. And both authors’ knowledge of the era and celebrities of that time is on full display. Even Walt Disney gets in on the action.

All in all, this is a tremendously fun read. A page-turner to be sure.

Fancy Anders Goes to War by Max Allan Collins

In 1942 Los Angeles, a young socialite named Fancy Anders finds herself in charge of her father’s famous detective agency when he is called back to active duty. She is only supposed to be a caretaker of the agency, routing incoming cases to other agencies. But when a young female worker named Rose at Amalgamated Aircraft, who had been chosen to pose as a model for a new line of patriotic posters is found dead, Fancy’s suspicions are aroused. Was it an accidental death or was she murdered? Fancy goes undercover at the factory, working as a riveter alongside a diverse group of other women, to get to the bottom of it. But as the story moves along, Fancy (and we readers) soon come to realize there is far more going on here than a simple murder mystery, likely with massive consequences.

Fancy Anders is a great new character and building her into this novella form is a real treat. It’s a tight, lean story and serves well to not only set up Fancy as a well-rounded character but also provides an interesting detective yarn in a cool historical setting. As always, Collins’ proves adept at interweaving a good plot with historical figures including, in this case, no less than FDR. 

This is the first novella of three (so far) to feature the adventurous tomboy. She has classical Hollywood beauty mixed with a keen intelligence and over-the-top confidence. Sort of a combination of Phryne Fisher and Nancy Drew. Comparisons to Brenda Starr and Max Allan Collins’ own Ms. Tree would not be out of line. But she is also smart enough to know she doesn’t have the street savvy to go it alone so makes good use of friends and confidants, including LA homicide cop, Rick Hinder. She’s no wallflower to be sure, having lived an adventurous life already. 

The novella reads like a prose version of a graphic novel and indeed, there is a wonderful illustration at the beginning of each chapter by artist/illustrator Fay Dalton, known for her James Bond folio work and Titan’s Hard Case Crime graphic novels. The entire package is a wonderful combination of retro noir art in all its forms.

Can’t wait to read more of Fancy Anders!

Reincarnal & Other Dark Tales by Max Allen Collins

I’ve read a fair number of Max Allan Collin’s crime and/or mystery novels and always enjoyed them but this is the first time I realized he wrote some horror as well, so naturally, I had to jump on this collection. Included here are 8 stories plus two radio play scripts. I enjoyed every one of them, an unusual thing for an anthology of any stripe. 

Several of these are MAC’s take on traditional horror stories. There’s a couple of vampire tales, a Frankenstein’s monster type of story, a werewolf story and at least two haunted house yarns. But the author brings a unique perspective to each of the stories, dropping clues along the way as to which traditional story you’re reading. For example, the Frankenstein story isn’t a mad scientist creating a creature from dead body parts, exactly, but rather about a mob kingpin. There are other tales here as well, not tied into any previous works. Some tend towards hard core horror while others have a definite sense of humor about them. Most of them offer explicit sexual content so be aware of that before diving in.

All these stories were previously published as contributions to previous anthologies, mostly in the 1990s. All are pretty quick reads and thoroughly enjoyable.  Here are the stories included:

- “Reincarnal” - 1994
- “The Night of Their Lives” – 1995
- “A Good Head on his Shoulders” – 1993
- “Wolf” – 1999
- “Not a Creature Was Stirring” – 1990, revised in 2020
- “Open House” – 2011
- “Traces of Red” – 1995
- “Rock ‘n’ Roll Will Never Die” – 1994
- “Interstate 666” – 1997
- “House of Blood” Radio Play – 2012
- “Mercy” Radio Play - 2012

Two for the Money by Max Allan Collins

Nolan. No first name given. Tough guy. Resume includes managing nightclubs for the Chicago branch of “The Family” and also a professional thief – a true master. Of note: he once killed an incompetent mobster who also happened to be the brother of an underboss. Not good.

Nolan has been laying low for over a decade, dodging his former employers. He’s nearing 50 years of age but his hard life makes him feel closer to 80.  So, when a friend offers to broker a deal to grant Nolan a clean slate with The Family, he feels he must take them up on the offer. The deal turns out to be one last job. A bank robbery that Nolan must carry out along with three rookies who are little more than college age juvenile delinquents. But the rewards are high; not just the take from the bank but also that promised clean slate. If only Nolan could trust the deal.

This book combines the first two novels in the Nolan series by Max Allan Collins: “Bait Money” and “Blood Money”. Collins makes it clear in the afterward that he considers these two books to really be one larger novel and indeed, that’s the way this reads. This combined book was first published by Hard Case Crime in 2004 (with unspectacular cover art) but thankfully the publisher has committed to re-publishing the entire Nolan series with new cover art, beginning with this volume. In reading the first half of this book, I was amazed to discover it was actually Max Allan Collins’ very first published novel, written back in 1969-70 while he was a college student himself. But it reads like a veteran writer’s work, all the way through. It’s clearly an homage to Richard Stark’s (Donald Westlake’s) Parker series, readily admitted to by Collins in the afterword. In fact, Collins sought out Westlake’s approval before continuing the Nolan series.

As for the story itself, it’s a wonderful read. The first part is a gripping heist novel with all the meticulous planning and unforeseen snags that occur in the best of that genre. The second part is a little more character-driven but with just as many edge-of-your-seat scenes to keep the pages turning. Together, the larger story really creates an unforgettable character, Nolan, a hardened criminal with a code that makes you want to root for him all the more. Bring on the next one pronto!