The Thousand Coffins Affair by Michael Avallone

THRUSH is nearing completion of a new super weapon that is capable of killing off whole cities in savage fashion.  It’s chemical warfare at its finest.  Napoleon Solo, U.N.C.L.E.’s best agent is dispatched to deal with the crisis.  

This is the very first book in The Man From U.N.C.L.E. novel series and I’ve been itching to get to it ever since I finished watching all four seasons of the TV show a couple of weeks ago. I was heartened to learn that these books are not just reincarnations of specific episodes but rather complete, stand-alone stories.  I found it to be a fun read with a lot of good background presented on the main characters, especially Solo and Mr. Waverly that you really can’t do easily in a TV show.  It also provided some good intel on the U.N.C.L.E. headquarters building that was only hinted at on TV. Illya Kuryakin, does have a small role here but is mostly confined to lab work.  This tells me that the book was conceived and written based on the TV script outlines of the first couple of episodes before the popularity of David McCallum’s character elevated the role.

“The Man From U.N.C.L.E.” TV show first aired on September 22, 1964.  It was a time of turbulence in American history, with news headlines including reports of a place called Vietnam where US Government forces had just inflicted “heavy casualties” on Communist forces invading South Vietnam.  The Warren Commission was on the verge of announcing its verdict that Lee Harvey Oswald had acted alone.  In the South, the Heart of Atlanta Hotel was asking the US Supreme Court to overturn the 1965 Civil Rights Act.  This was the backdrop from which this TV show sprang and a series of paperback novels were generated as part of an aggressive and ingenious marketing plan for its time.  Cold War themes prevail throughout the novel.

Noted mystery writer, Michael Avallone was recruited to write the series but after great success with this first novel, (for which he was paid a measly $1000) his handshake deal to write the rest was undercut and other writers were signed to do the rest.  However this novel’s healthy reception and success opened doors for him and he went on to write over 200 novels, many of them TV and movie tie-ins.

So, all in all, this was an excellent first start to the series.  I think it stands well on its own even for readers who have never watched the TV show. Note that the cover of the book I read (pictured) simply bears the title "The Man From U.N.C.L.E.". I suppose it's because this was the first. Later printings changed it to "The Thousand Coffins Affair". With different authors writing the other books, I look forward to seeing how they compare.

Brak the Barbarian Versus the Sorceress by John Jakes

The second book in John Jakes’ Conan tribute series continues Brak’s journey southward toward Khurdisan only to have his path forced into a side adventure by the powers that be.  Nordica is a beautiful sorceress intent on capturing Brak’s life force to further her own evil ends but just in case that isn’t enough, there is something deeper behind her sinister plot.  Events from previous stories converge as Brak finds himself in the lair of none other than the followers of Yob-Haggoth, the big bad of the series.  Brak’s old nemesis Septegundus as well as Ariane have prominent roles to play in this adventure as well.

I enjoyed this novel quite a bit more than the first book, probably because this was a single novel-length adventure (even though originally published in serial form) instead of a series of connected short stories. It allowed for much better character development and that “getting-to-know” Brak serves the series well.  I almost always enjoy these sorts of sword and planet adventure stories and am willing to overlook the occasional over-the-top writing or plot hole.  Jakes does a better job than most however and it was clear even back in 1963 that he would have a nice writing career ahead of him.

Robert E. Howard - The Complete Action Stories

“I weren’t to blame for what happened. Breaking Joel Gordon’s laig was a mistake, and Erath Elkins is a liar when he says I caved in them five ribs of his’n plumb on purpose. And I don’t take no blame for Jim Gordon’s ear which Jack Grimes shot off, neither.  I figger everybody was more to blame than I was, and I stand ready to wipe up the earth with anybody which disagrees with me.”  -- Brekinridge Elkins

Robert E. Howard is, of course, well known for creating the epic characters of Conan the Barbarian, Bran Mak Morn, Solomon Kane, El Borak, and many more.  His fantasy worlds are legendary.  But far fewer people are aware of his other creations and perhaps may not appreciate his versatility as a writer.  

This volume reprints all 23 of Robert E. Howard’s stories ever printed in “Action Stories” pulp magazine.  They are presented in order of publication from the original dates of 1931 to 1937, including the original accompanying artwork.  Five stories feature his boxing hero Sailor Steve Costigan while the remaining 18 are about western mountain man, Brekinridge Elkins.  These yarns are filled with humorous situations and packed with glorious fights that tend toward tickling the funny bone rather than brutal violence.  

Howard should get credit for inventing a whole new type of story, especially with the Brekinridge Elkins stories. They can probably best be described as “Tall Tales”, with  characters displaying extremely over-the-top abilities (like Brekinridge getting shot directly in the chest with a shotgun blast but with skin so tough it serves only to make him think the gun-wielder must have been sore at him).  Both Brekinridge and Steve Costigan are far from the brightest bulbs but their lack of intellect is more than balanced with skill with their fists.  Best of all, these tales are pure fun to read.  More than once I laughed out loud and I had to stop and read aloud so my wife could be in on what was so funny.

Robert E. Howard certainly knew how to tell a tale and these are no exception.  Fans of his more famous works will want to be sure to give these a go as well.

The Living Shadow by Maxwell Grant (Walter B. Gibson)

I’ve read a number of pulp adventures with a wide variety of main characters but have never sampled one of the greatest of all time.  The Shadow. High time I corrected that. 

First published in 1931, “The Living Shadow” is the very first pulp novel in The Shadow series. It was written by Walter B. Gibson, the creator and main writer of the series under the name "Maxwell Grant." The character would evolve considerably over the years, branching out into all forms of media entertainment but many of the character’s traits are already found in this first story, including the red-lined black cloak and slouch hat, and of course his uncanny ability to hide by blending into shadows.

Throughout the book The Shadow remains an extremely nebulous character.  We tend to learn about him through other characters and their reactions to what they encounter but never The Shadow himself.  Certainly not his name or who he actually is.  Instead, the story’s main character is Harry Vincent, a man down on his luck who has decided to commit suicide by jumping off a bridge in New York.  A mysterious man prevents this and extracts a loyal promise that Harry will work for him from now on. The Shadow, of course.

Harry becomes the foil for the reader, accepting circumstances as they are no matter how strange.  We follow along in his shoes as he assists his mysterious benefactor in solving a case involving a Chinatown mastermind, a murdered millionaire, and missing jewels.  Harry knows no more about The Shadow than we do.

There are a number of “firsts” in this book; characteristics that would become hallmarks of the series.  These include The Shadow as a master of disguise, messages written in disappearing blue ink, verbal messages with emphasized words, and The Shadow’s Fritz the janitor identity.  Harry is the first of an entire network of recruited agents that work for The Shadow and we also meet Claude Fellows who is more of an administrative desk man.

All in all, I was fairly well impressed with the quality of the writing and the complexity of the mystery tale that unfolded. I’ll be reading many more of these books to be sure.

The Deep Blue Good-by (Travis McGee) by John D. MacDonald

I first read this novel back in High School and was ill-prepared to appreciate its style.  I had read science fiction, fantasy, and books like Doc Savage almost exclusively and I thought it was high time I branched out.  In fact, I think this was the first book of the hard boiled crime/noir/PI genre I had ever read.  It seemed dull to me at the time but as I grew older (and older) and sampled more and more of the genre and came to love it even, I knew that someday I would get back to Travis McGee and see what it was that I had missed all those years before.

Turned out I was correct.  This time around I thoroughly enjoyed it and will now plan to read the rest of the entire series over the next several years.  The fascinating thing about this book is not so much the plot (although it’s a good one), or the setting (also good), but rather the character of Travis McGee himself.  I really enjoy his approach to life and his ability to thumb his nose at what “traditional” society expects, choosing to live how he wants.  Accumulating money is not his end goal.  He looks out for those that are getting bullied or become innocent victims of the powerful so we readers want to root for him.

The author’s prose is also great fun to read, something else that I under-appreciated in my youth.  He could turn a phrase with the best of them and say so much with a single sentence.  Yes, I look forward to my journey with Travis over the entire 21 novel set.  Overall I give it 4.5 stars, rounded up to 5 because of the sheer joy I experienced at proving my youthful opinion so very wrong.

Usher's Passing by Robert R. McCammon

For my Halloween read this year, I chose an author that I can always count on for a great read (not just a great horror read but a great read in general).  This one certainly fulfilled my hopes and expectations.

For those that remember the plot of Edgar Allan Poe’s "The Fall of the House of Usher" (and if it’s been a while, I suggest you review a plot synopsis at the very least), Roderick Usher suffers from a condition that is part hypochondria and part acute anxiety that is triggered by sensory overload.  He also believes the house he lives in to be alive, and that this sentience arises from the arrangement of the masonry and vegetation surrounding it.

These themes play out in all their intriguing and horrific glory in this “sequel” novel.  Rix Usher is a descendant of the Usher clan and he has reluctantly returned to Usherland, a huge compound worthy of the family behind the enormously rich and powerful Usher Armaments Company. Along with his brother and sister, they await the imminent passing of the current patriarch, Walen Usher. While the brother and sister vie for selection as the heir to the company leadership, Rix, a former best-selling horror author is struggling to recapture that magic and wants to turn his focus toward writing a family history. 

I really enjoyed how the author shows us how Rix uncovers the history of his family.  While Rix researches old letters, journals, newspaper clippings etc. from the secretive family archives, we get to live those scenes and learn of all five prior generations, all the way back to Roderick.  While lots of juicy details and intrigue are uncovered, it all becomes a complex puzzle as we continue to learn about more pieces throughout the book.  Along with all of that is an assortment of supporting characters, many of which are…a little odd.  

The horror aspects through the first 3/4ths of the book are pretty much confined to odd happenings such as some disappearing children, rumors of “The Pumpkin Man” and his giant black panther pet in the woods, references to the King of the Mountain, etc.  Also, we get to witness the real-life horror that can happen when greedy siblings compete for untold wealth. McCammon masterfully builds the suspense and the horror until it explodes in truly scary fashion.  The horror combines aspects of traditional haunted house scariness, witchcraft-style magic and bestial attacks. He weaves in the historical themes from Poe’s original story along with the historical puzzle pieces we’ve learned through Rix’s research. It is, indeed, a complex structure but McCammon pulls it off, just as I had hoped.

A great choice for reading late at night and into the wee hours of an October morning.  But I recommend leaving the lights on.

The Dead Stay Dumb by James Hadley Chase

Out of the 5 or 6 novels I’ve read by James Hadley Chase, this one is my favorite so far.  I understand that this author turned to full-time writing after his very first novel was published (No Orchid for Miss Blandish) and since this is only his second novel, the quality is really quite remarkable.

Make no mistake, this is one hard-boiled crime story.  It’s a gangster novel through and through and is often violent and even brutal in its approach.  Dillon is a hardened criminal but never content with his level of power.  He works his way up the mobster ladder through deceit, double-cross, and murder.  And the more power he gets, the easier it is for him to take the easy way forward and simply eliminate his competition.

The story is rounded out with a handful of important characters that are associated with Dillon.  While most of them are also criminals, they tend to have at least some sort of redeeming quality that makes the reader root for them in hopes they will finally give Dillon what he deserves.   Many times, they actually feel like the main character of the story, particularly Myra, who becomes a gun moll for Dillon. 

This novel is certainly not for everyone.  It was written in the early 1940's so the violence and degradation is pretty mild by today’s standards.  Nevertheless, some characters’ stories are tragic, and you really get gut-punched a couple of times.  For me, it was a worthy reading experience even if I do feel the need to go read something akin to Winnie-the-Pooh next, just to provide balance to my outlook on life. 

Devil Take Her by Fan Nichols

Fay Adams is a lounge singer, and a pretty good one.  She has the looks, a nice singing voice and the kind of sweet personality that keeps her fans and admirers coming back for encore performances.  The only problem is, she’s got a secret.  She didn’t choose the backwater town of Bayport Florida as a way to jump-start her career, but rather as an out-of-the-way locale that would keep her hidden from her former life in New York, one step away from a role on Broadway, and a double-murder rap.  She didn’t commit the murders but she was there and the evidence all points to her…so she ran.

This sounds like a set-up for a movie-of-the-week melodrama but it was far better than I expected it to be.  The character of Fay Adams is certainly a flawed one, allowing herself to be ruled by greed for fame and fortune and not at all leery of using other people for her own ends. Her choices grow riskier as she tries to make fast money and she grows more and more desperate as she gets in over her head.  But as the protagonist of the story you can’t help but root for her to overcome it all, and turn herself around.  

Several years ago I acquired a huge box of beat-up old paperbacks from the 1940s-1960s and occasionally I pull one out at random and give it a whirl.  I had never heard of this one before (or the author) so it was very surprising when I found myself completely absorbed after the first few pages.  My research indicates that the author, Fan Nichols, began her career as a mainstream novelist but then dabbled in romance and then moved towards crime fiction.  She evidently enjoyed writing career driven female characters and thus most of her work was sold to genre paperback original publishers like Popular Library.  I don’t know that this one was ever picked up for re-publication but it should be.  Hard Case Crime or Stark House Publishing should take a look.

ll need to be on the lookout for more Fan Nichols stories.

Quantrell's Raiders by Frank Gruber

Frank Gruber, one of the most prolific pulp writers of all time, is also famous for saying there are only seven different plots for westerns.  One of those is the “Outlaw story” in which outlaw gangs dominate the action.  This book, although heavily influenced by historical events, is just such a story.

The novel opens in 1861 with new West Point graduate, Second Lieutenant Doniphan “Donny” Fletcher on his way home to Kentucky to await his first posting. While Donny’s loyalties lie with the Union, most of his family, hometown friends, and an especially attractive young lady next door are slaveholders and either pro-South or just trying to remain neutral. But no sooner does he arrive when trouble between Jayhawkers and Bushwhackers boils over onto his home turf forcing Donny to kill a couple of Union guerrilla fighters in self-defense. Under arrest and about to face a firing squad, Donny manages to escape, but has nowhere to run. He wants revenge and the answer, at least for now resides in becoming a guerrilla fighter himself, ultimately joining up with William Quantrill and “Bloody” Bill Anderson.

This novel is historical fiction disguised as a western.  The story of Quantrill’s Raiders (I’m not sure why it’s spelled “Quantrell” throughout the book) and how it became known as the breeding ground for outlaws after the Civil War’s conclusion, including such luminaries as Cole Younger, Jesse and Frank James, and others is an exciting one. The action, particularly in the second half of the book is bloody and brutal, and all the more horrifying because it is factual. These men are outlaws at their worst. The scenes involving the massacre of Lawrence, Kansas are especially disturbing as some 450 guerrilla fighters swoop in and murder numerous innocent noncombatants including women and children.

The character of Donny Fletcher undergoes a sweeping transformation, from loyal Union Army officer to wanted Southern guerilla fighter and criminal.  Ultimately, no longer willing to participate in such atrocities, he works with the Union once again to turn on Quantrill and the other guerrilla leaders helping to bring an end to their reign of terror.  This is largely a tragic tale, watching one man get caught up in circumstances beyond his control but it does end on a positive note. 

Definitely worth reading, especially for readers interested in this period of history.

Brak the Barbarian by John Jakes

John Jakes, of course, is well known today for his popular historical fiction sagas such as the Kent Family Chronicles (Bicentennial series), the Crown Saga, and the North and South trilogy.  But before he turned to that genre he was a pretty successful science fiction and fantasy author.  As a great fan of Robert E. Howard, Jakes began writing his first Brak the Barbarian story in the 1960s, a Conan pastiche and homage to Howard. 

Apparently it was fun to write so he continued on to write quite a few more. This volume contains five stories that cover a time when Brak journeyed from his birth place in the northern steppes towards the warm, rich lands of Khurdisan in the South.  But by the end of this volume, he still hadn't reached his goal and I have to wonder if he ever does make it.  I'll need to read the rest of the volumes to find out.  Regardless, this journey gives a great excuse for Brak and his broadsword to get mixed up in one wild and weird adventure after another. The stories here really do stand alone and only occasionally mention a character or location from a previous story. I believe I’ve read all of the available Conan stories by Howard and these stories are certainly written in the same vein, using a similar story-telling style.  Pure sword and sorcery adventure and fun to read.

Collision Course by Robert Silverberg

I’ve been on a bit of a Robert Silverberg kick in recent months and have generally enjoyed them.  This novel is no exception.  First published in 1961, this novel takes place in the 26th century after planet Earth (Terra) has developed instantaneous transport via “transmats” making colonization of additional planets much easier.  Now, during Terra’s expansion into the galaxy, they’ve encountered an alien race which appears to be very closely matched to human evolution and level of technology and whom also happens to be in the midst of expanding into the galaxy.

This is essentially a first contact novel but also examines the nature of human-kind’s perceptions of their own place in the universe.  What appears to be a friendly alien race turns out to be rather bossy and ultimately a third, extremely powerful alien race intercedes and forces the two “child” races to negotiate an equal solution and avoid armed conflict.

Unlike many “classic-era” science fiction stories, Silverberg tends to write very approachable stories rather than utilizing obtuse and overly-scientific prose.  He does, however, convey an excellent competence in the nature of the science he uses, especially space travel and the reader comes away with a feeling that it is all entirely plausible. The overall novel was fun to read although the ending seemed a little bit like Silverberg wasn’t sure where to take it.  It does conclude, but the major characters are left fundamentally changed but with no comments on what that would mean for them.